Tag Archives: saxophone

Nice Jazz Festival, July 1977.

Some photographs from my second visit to the Nice Jazz Festival (“Grande Parade du Jazz”) at in the Roman ruins at Cimiez, Nice. (Here are my pictures from the previous year, 1976.)

Joe Newman and Clark Terry

Nice 77 1-15

Joe Newman

Nice 77 1-13

Clark Terry

Nice 77 3-09

Nice 77 3-08

Dizzy Gillespie

Nice 77 3-15

Nice 77 3-23

Alan Dawson, Jon Faddis and Dick Hyman

Nice 77 3-02

Zoot Simms

Nice 77 2-21 Nice 77 2-20

George Duvivier and Arnett Cobb

Nice 77 3-10

Earl “Fatha” Hines and Eddie Graham

Nice 77 2-08

Nice 77 2-09

Nice 77 2-02

Dave Brubeck

Nice 77 2-11

Nice Jazz Festival, July 1976.

For several years, my father went to the Nice Jazz Festival, set amongst the Roman ruins at Cimiez. In 1976 and 1977, it coincided with our family holiday. I wasn’t much of a jazz fan as a teenager: a week of jazz at Nice was sufficient for a whole year. (It was a few years before I really got gripped.) But I did take quite a few photographs (a habit which has stayed).

Doc Cheatham

Nice 1976 2-34

Joe Newman

Nice 1976 1-05

Dick Hyman

Nice 1976 1-03

Gerry Mulligan

Nice 1976 1-14

Illinois Jacquet

Nice 1976 2-01

Eddie Daniels and Zoot Simms

Nice 1976 1-16

Nice 1976 1-21

Zoot Simms

Nice 1976 2-03

Nice 1976 1-32

Leah Gough-Cooper / Hanna Paulsberg Quartet and Julian Arguelles Quartet. Edinburgh Jazz Festival, July 2014.

I hadn’t seen Julian Arguelles play for several years, and then I get to see him twice in a week…

First up though was Leah Gough-Cooper and Hanna Paulsberg Quartet. I saw Gough-Cooper play in last year’s festival with a sextet, and whilst I thought the playing was excellent, the compositions didn’t work for me – they seemed took busy, as if trying to fit in everything she could do.

The tunes she and Paulsberg brought to the party this year were of a different order – simpler, but with more depth; essentially more mature. With Gough-Cooper on alto and Paulsberg on tenor, they had gutsy voices, ably helped by Calum Gourlay on bass. They played a really enjoyable set.

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Arguelles set which followed was something else, though. A different league. Confident and assured, subtle and unshowy, the music was engrossing. They started off with several pieces from a suite and finished with a piece called “Iron Pyrites” apparently abstracted from a Stone Roses’ tune (with any of the Roses elements well and truly disposed of), and in between played a wealth of exciting music.

DSCF1184 bw v2 DSCF1170

Arguelles was helped by his band – Kit Downes on piano, Sam Lasserson on bass and James Maddren on drums. Downes is always a pleasure and Maddren, who regularly plays in Downes’ trio, was a revelation – he could let rip in the less intimate, amplified setting. Together, the quartet were an excellent unit.

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This was a wonderful gig, one of my favourites of the Festival, and I’m looking forward to seeing Arguelles again in Playtime’s Fringe programme on August 20!